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Behind Complex Composite Patterns Jeffrey Ventrella Jeffrey@Ventrella.com (www.Ventrella.com) |
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According to Gregory Chaitin, “A concept is only as good as the theorems that it leads to!…instead of primes, perhaps we should be concerned with the opposite, with the maximally divisible numbers!'' [Chaitin, 2005]. I read this statement in Chaitin's book 'MetaMath', several decades after making that pencil drawing. I remembered the patterns, and the unanswered questions. Having only gotten as far as the introduction of the book, I dropped it and ran to my computer. I decided to return to this drawing and explore it in more depth, so I created an interactive computer visualization (link provided above) which allows exploration of much larger numbers, with a greater range of divisors. Consider the original drawing: zoom out to see a bigger field of numbers, and then replace the numbers with dots - more patterns can be seen. |
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Overlapping Patterns Thomasson [2001], Wolfram [2002], and others, have generated small variations of this graph to illustrate the distribution of primes. We hear of primes described as the “building blocks” of all numbers. Let's turn that concept on its head. Instead, let's think of primes as the negative spaces behind complex objects. Imagine a series of picket fences stacked in front of each other. Each picket fence has different spacing between its wooden slats. |
The superimposition of fences creates line moire patterns. Consider the Sieve of Eratosthenes , a process which involves repeatedly hopping along the number line, with increasingly larger steps, progressively stamping out the composite numbers, to identify the primes. It is like stacking these picket fences, each one with a larger gap between its slats - to eliminate the holes. Some holes will always remain. Those are the primes. |
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A Definition
I call this graph the “divisor plot”. It is equivalent to the set of all integer locations in the x,y plane (where y is positive) for which x mod y = 0. Let us call these integer locations "divisors". As integer locations, these divisors lie on a 2D lattice with cells of size 1. The y coordinate of each location is a divisor of x. For every integer x on the number line, there are two or more numbers that x can be evenly divided into (its divisors). Prime numbers have only 1 and themselves as divisors. Composite numbers have these plus others. The number of divisors of an integer x (the divisor function ) is denoted as d(x). Let us refer to the actual set of the divisors of x as Dx. As an example, D6 = {1, 2, 3, 6}. Every Dx is unique – related to the fundamental theorem of arithmetic. |
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Since I am interested in exploring all of the structure
of integer divisibility,
I have decided
not to use the technique shown above for this exploration, and instead to plot every divisor D.
Stereo In fact, there is so much to see when the divisor plot is shown full-throttle - it can even pop out in stereo revealing some interesting subtle patterns. Below is a view that an astute pattern-finder named Jeff Rossman found while using the Java Applet. He was exploring the fifth perfect number (33550336), and his eyes accidentally crossed, and the patterns crossed over and locked in: his brain landed upon a new dimension! If you are skilled at viewing stereo images in this way, give it a try: cross your eyes so that the green and red symbols come together. Then, with your eyes locked in at that focal point, slowly raise your view to the dots in the upper half. It takes a while, and for some people it never comes together. But if it does, you will see that the field of dots becomes a deep sloping field. The slight "bumps" (differences in dot "height") might be due to the fact that Jeff compressed the x axis (increasing the number range within view). Aside from this artifact, you can think of your stereoscopic vision as a way to probe the periodicity across multiples - along the "rows" R. This is explained in the next section.
Let us now proceed and look at some of the many patterns in the divisor plot. Let's move onto section 2. |
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